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1.目录 致谢 1引言:为什么关注表面建筑?Introduction: Why Surface Architecture?1 2框架表皮Framing Containment10 “脸面”框架化(Framing the Face)10 纪念性体量(Monumental Volumes)17 再现与生产(Representation and Production)23 极少表面(Minimal Surface)26 工厂(The Factory)32 完全包覆(Total Containment)32 芝加哥框架(Chicago Frames)33 3窗/墙Window/Wall45 去维尼奥拉化(DeVignolization)47 观景(Viewing the Landscape)53 不透明与透明(Opacity and Transparency)58 斜向(The Oblique)62 绘画中的景观(The Painted View)67 窗墙的深度(The Depth of the Window Wall)68 拣选与判断(Taking Stock)71 调整边界(Border Adjustments)72 竖直与水平(Vertical and Horizontal)73 错位(Misalignments)76 作为“衣服”的饰面(Cladding as Clothing)79 窗与墙/窗作为墙(Windows and/as Walls)83 4覆层的表观The Appearance of Covering91 非建构性制作:“滑动的”表面(Atectonic Fabrications: Sliding Surfaces)92 掩盖与揭示(Masking and Revealing)100 象征性表面(Symbolic Surfaces)104 压印的立面:文身(The Impressed Faade: Tattoo)109 表面贴饰(Surface Appliqué)114 印象(Impressions)117 二维性与表面带给人的印象(Planarity and Surface Impressions)121 工业时代的美学(Aesthetics in an Industrial Age)127 建成物的理想状态(Ideality of the Constructed Fact)131 工业建筑(Architecture for Industry)134 工厂预制(FactoryMade)143 5对标准进行调整Adjusting Standards148 工业建筑中的光线(The Light of Industry)148 现代外观与实用性(Modern Appearances and Practicality)152 预制与个性(Prefabrication and Personality)161 系列化生产的建筑(Architecture en Série)163 装配过程(Fabrication Processes) 177 “很多年里,我穿着皮革做的围裙”( “For Many Years I Wore the Leather Apron”) 180 6预制再制Premade — Remade185 开放式及封闭式的建造体系(Open and Closed Systems of Construction)185 建造本身的粗野事实(Brutal Facts of Building)188 建造和生活的事实(Facts of Building and of Life)192 发明创造以及有限的途径(Invention and Limited Means)199 偶发建造(Chance Construction)207 如其所是(As Found)210 无形(Formlessness)217 7技术与表观:当下的任务Technique and Appearance: the Task of the Present222 散视(Distraction)225 现代营造与历史记忆(Modern Building and Historical Memory)228 再现与非再现(Representation and Nonrepresentation)233 营造形象(Building Images)237 后记Post239 技艺(Technique)251 嬗用(Appropriation)263 译后记表皮,表层,表面:一个建筑学主题的沉沦与重生267 译者说明284 |
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